Each song may mean something unique to you, me & the next person. With the addition of Justin Chancellor on bass, who replaced Paul D’Amour, & thought-provoking subject matter, the album takes the listener on a journey – to what or where, that is not for me to say. Ænima is not an album that is absorbed after one single listen – this is an album that allows even the most rabid fan to hear something new with virtually ever listen. Each song denotes a certain comment on not only the macro-scale, society at large, but also on the micro-scale, an individual’s perception of their place in whatever reality they inhabit. Many Tool fans consider this album to the creative-pinnacle or the essential Tool-release for even the most haphazard of music fanatics. Opening with Stinkfist, a song that many consider to be a Tool-staple & closing with the mammoth Third Eye, also considered to be a staple, this album is as relevant today as it was in the mid-1990’s. Tool aenima, 3, 306, “undertow”Īlbum Notes: Bridging the gap between experimental-alternative, metal & progressive ideas of what an album “can be”, Ænima was released in 1996 to much anticipation from fans, critics & other artists.
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“Third Eye” (Tool/Hicks) – 13:47 listen (help “Stinkfist” (Keenan/Jones/Carey/D’Amour) – 5:11Ģ.
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Recorded at: Ocean Way Studios + The Hook Studios, Hollywood, CA, USA – 1995/1996ġ. Label: BMG Music / Zoo Entertainment / Volcano Entertainment It’s not a picture disc, and the front cover has none of the holographic qualities of the original CD version.
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The artwork for this album is nothing special. Although I was a big fan of this album when it was first released I wasn’t into vinyl collecting at the time, so I don’t own a copy. I am not all that keen on paying $200 + on ebay to get one. What can I say about this album on vinyl? Well I wish I owned a copy, that’s for sure.